supported by 11 fans who also own “Slaughterhouse”
Neo-classical has always been a complete turn-off for me, so call it a real shock when I say like this record a lot.
If I had to pin one aspect that sets it stark apart from its competition, it would be its willingness to step off the gas.
Slowing down and focusing on the piano as a solo instrument gives the more frenetic sections so much more impact. MyNameIsRedundant